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10.3280/SL2020-157005

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Zitierungen des10.3280/SL2020-157005

Unstructured Zitierung

Bank M., Lovatt A., O’Connor J., Raffo C. (2000). Risk and Trust in the Cultural Industries. Geoforum, vol. 3(4): 453-64.
https://doi.org/10.1016/S0016-7185(00)00008-7


Unstructured Zitierung

Banks M. (2017). Creative justice: Cultural industries, work and inequality. London: Pickering & Chatto Publishers.


Unstructured Zitierung

Becker H.S. (1982). Art Worlds. Berkeley: University of California Press.


Unstructured Zitierung

Bonet L., Négrier E. (2018). The participative turn in cultural policy: Paradigms, models, contexts. Poetics, vol. 66: 64-73.
https://doi.org/10.1016/j.poetic.2018.02.006


Unstructured Zitierung

Borges V. (2017). Cultural organizations, collaborative contexts and public: How they become small communities. Portuguese Journal of Social Science, vol. 16(3): 359-76.
https://doi.org/10.1386/pjss.16.3.359_1


Unstructured Zitierung

Borges V., Cabral M.V. (2015). Les architectes au Portugal: Entre la vocation et la profession. Sociologie de l'Art, OPuS 25 & 26: 153-176.
https://doi.org/10.3917/soart.025.0153


Unstructured Zitierung

Bourdieu P. (1992). Les règles de l’art. Genèse et structure du champ littéraire. Paris: Éditions du Seuil.


Unstructured Zitierung

Carmo R. and Barata D. (2019). Portugal: Una socialdemocracia con futuro? Nueva Sociedad, vol. 281. -- https://nuso.org/articulo/portugal-una-socialdemocracia-con-futuro. Accessed 01.10.2019.


Unstructured Zitierung

Carmo R., Sebastião J., Azevedo J., Martins S.C., Costa. A.F. (eds.) (2018). Desigualdades sociais: Portugal e a Europa. Lisbon: Mundos Sociais.


Unstructured Zitierung

Casula C. (2018). Torn Between Neoliberal and Postmodern Trends, Corporatist Defence and Creative Age Prospects: The Ongoing Reshaping of the Classical Music Profession in Italy. Cambio, 8(16): 71-82.


Unstructured Zitierung

DiMaggio P. (2009). Organizzare la cultura. Imprenditoria, istituzioni e beni culturali. Bologna: Il Mulino.


Unstructured Zitierung

Dubois V. (2015). Culture as a Vocation. Sociology of Career Choices in Cultural Management. London: Routledge.
https://doi.org/10.4324/9781315744025


Unstructured Zitierung

Eurofound (2019). Cooperatives and social enterprises: Work and employment in selected countries, Luxembourg: Publications Office of the European Union.


Unstructured Zitierung

Florida R. (2002). The Rise of the Creative Class: And how it’s transforming work, leisure, community and everyday life. New York: Basic Books.


Unstructured Zitierung

Freidson E. (1990). Labours of love in theory and practice: a prospectus. In: Erikson K., Vallas S. P. (eds.), The Nature of Work, Sociological Perspectives. New Haven: Yale University Press, 149-161.
https://doi.org/10.2307/j.ctt1xp3v27.12


Unstructured Zitierung

Kleppe B. (2017). Theatres as risk societies: Performing artists balancing between artistic and economic risk. Poetics, 64: 53-62.
https://doi.org/10.1016/j.poetic.2017.08.002


Unstructured Zitierung

Lazzarato M. (2011). The Misfortunes of the ‘Artistic Critique’ and of Cultural Employment. In: Raunig G., Ray G., Wuggenig U. (eds), Critique of Creativity: Precarity, Subjectivity and Resistance in the ‘Creative Industries’. London: MayFlyBooks, 41-56.


Unstructured Zitierung

Lundi R.A, Arvidsson N., Brady T., Eskstedt E., Midler C., Sydow J. (2015). Managing and working in project society. Cambridge: Cambridge University Press.
https://doi.org/10.1017/CBO9781139939454


Unstructured Zitierung

Menger P.M. (1999). Artistic labor markets and careers. Annual Review of Sociology, 25: 541-574.
https://doi.org/10.1146/annurev.soc.25.1.541


Unstructured Zitierung

Menger P.-M. (2002). Portrait de l’artiste en travailleur. Paris: Seuil.


Unstructured Zitierung

Menger P.-M. (2012). Talent and inequalities: what do we learn from the study of artistic occupations. In: Borges V. and Costa P. eds, Criatividade e Instituições. Novos desafios à vida dos artistas e dos profissionais da cultura. Lisbon: ICS, 49-75.


Unstructured Zitierung

Menger P.-M. (2014). The Economics of Creativity. Art and Achievement under Uncertainty. Harvard: Harvard University Press.
https://doi.org/10.4159/harvard.9780674726451


Unstructured Zitierung

Murgia A., Maestripieri L., Armano E. (2016). The Precariousness of Knowledge Workers: Hybridisation, Self-employment and Subjectification. Work Organization, Labour & Globalisation, 10(2): 1-8.
https://doi.org/10.13169/workorgalaboglob.10.2.0001


Unstructured Zitierung

Perrenoud M., Bois G. (2017). Ordinary artists: From Paradox to Paradigm?, Biens symboliques / Symbolic Goods, 1: 2-35.
https://doi.org/10.4000/bssg.171


Unstructured Zitierung

Srnicek N. (2016). Platform Capitalism. New York-London: Polity.


Unstructured Zitierung

Turner V. (1974). Liminal to Liminoid, in Play, Flow, and Ritual: An Essay in Comparative Symbology. Rice University Studies, 60(3): 53-92.


Unstructured Zitierung

Weber M. ([1919] 2005). Le savant et le politique : Une nouvelle traduction (translated by C. C.-Thélène). Paris: Plon.