Vollständiger Titel
SOCIOLOGIA DEL LAVORO
Verlag
FrancoAngeli
ISSN
0392-5048 (Gedruckte Zeitschrift)
1972-554X (Online-Zeitschrift)
Nummer der Ausgabe
157
Andere Beschreibung der Ausgabe
157
Erscheinungsdatum der Ausgabe(YYYY/MM)
2020/08
Vollständiger Titel
Emerging patterns of artistic organizations in Portugal: A three case studies analysis
Von (Autor)
Erste Seite
84
Letzte Seite
107
Sprache des Textes
Englisch
Erscheinungsdatum
2020/08
Copyright
2020FrancoAngeli srl
Vorwort
In the wake of the 2008 global financial and economic crisis, new forms of work organization emerged in Europe. Following this trend, Portugal has undergone a reconfiguration of its artistic organizations. In the performing arts, some organiza-tions seem to have crystalized and others are reinventing their artistic mission. They follow a plurality of organizational patterns and resilient profiles framed by cyclical, structural and occupational changes. Artistic organizations have had to adopt new models of work and seek new opportunities to try out alternatives in order to deal, namely, with the constraints of the labour market. The article anal-yses some of the restructuring processes taking place in three Portuguese artistic organizations, focusing on their contexts, individual trajectories and collective missions for adapting to contemporary challenges of work in the arts. We conclude that organizations are a key domain for understanding the changes taking place.
Unstructured Zitierung
Bank M., Lovatt A., O’Connor J., Raffo C. (2000). Risk and Trust in the Cultural Industries. Geoforum, vol. 3(4): 453-64.
https://doi.org/10.1016/S0016-7185(00)00008-7
Unstructured Zitierung
Banks M. (2017). Creative justice: Cultural industries, work and inequality. London: Pickering & Chatto Publishers.
Unstructured Zitierung
Becker H.S. (1982). Art Worlds. Berkeley: University of California Press.
Unstructured Zitierung
Bonet L., Négrier E. (2018). The participative turn in cultural policy: Paradigms, models, contexts. Poetics, vol. 66: 64-73.
https://doi.org/10.1016/j.poetic.2018.02.006
Unstructured Zitierung
Borges V. (2017). Cultural organizations, collaborative contexts and public: How they become small communities. Portuguese
Journal of Social Science, vol. 16(3): 359-76.
https://doi.org/10.1386/pjss.16.3.359_1
Unstructured Zitierung
Borges V., Cabral M.V. (2015). Les architectes au Portugal: Entre la vocation et la profession. Sociologie de l'Art, OPuS
25 & 26: 153-176.
https://doi.org/10.3917/soart.025.0153
Unstructured Zitierung
Bourdieu P. (1992). Les règles de l’art. Genèse et structure du champ littéraire. Paris: Éditions du Seuil.
Unstructured Zitierung
Carmo R. and Barata D. (2019). Portugal: Una socialdemocracia con futuro? Nueva Sociedad, vol. 281. -- https://nuso.org/articulo/portugal-una-socialdemocracia-con-futuro. Accessed 01.10.2019.
Unstructured Zitierung
Carmo R., Sebastião J., Azevedo J., Martins S.C., Costa. A.F. (eds.) (2018). Desigualdades sociais: Portugal e a Europa. Lisbon: Mundos Sociais.
Unstructured Zitierung
Casula C. (2018). Torn Between Neoliberal and Postmodern Trends, Corporatist Defence and Creative Age Prospects: The Ongoing Reshaping of the Classical Music Profession in Italy. Cambio, 8(16): 71-82.
Unstructured Zitierung
DiMaggio P. (2009). Organizzare la cultura. Imprenditoria, istituzioni e beni culturali. Bologna: Il Mulino.
Unstructured Zitierung
Dubois V. (2015). Culture as a Vocation. Sociology of Career Choices in Cultural Management. London: Routledge.
https://doi.org/10.4324/9781315744025
Unstructured Zitierung
Eurofound (2019). Cooperatives and social enterprises: Work and employment in selected countries, Luxembourg: Publications Office of the European Union.
Unstructured Zitierung
Florida R. (2002). The Rise of the Creative Class: And how it’s transforming work, leisure, community and everyday life. New York: Basic Books.
Unstructured Zitierung
Freidson E. (1990). Labours of love in theory and practice: a prospectus. In: Erikson K., Vallas S. P. (eds.), The Nature
of Work, Sociological Perspectives. New Haven: Yale University Press, 149-161.
https://doi.org/10.2307/j.ctt1xp3v27.12
Unstructured Zitierung
Kleppe B. (2017). Theatres as risk societies: Performing artists balancing between artistic and economic risk. Poetics, 64:
53-62.
https://doi.org/10.1016/j.poetic.2017.08.002
Unstructured Zitierung
Lazzarato M. (2011). The Misfortunes of the ‘Artistic Critique’ and of Cultural Employment. In: Raunig G., Ray G., Wuggenig U. (eds), Critique of Creativity: Precarity, Subjectivity and Resistance in the ‘Creative Industries’. London: MayFlyBooks, 41-56.
Unstructured Zitierung
Lundi R.A, Arvidsson N., Brady T., Eskstedt E., Midler C., Sydow J. (2015). Managing and working in project society. Cambridge:
Cambridge University Press.
https://doi.org/10.1017/CBO9781139939454
Unstructured Zitierung
Menger P.M. (1999). Artistic labor markets and careers. Annual Review of Sociology, 25: 541-574.
https://doi.org/10.1146/annurev.soc.25.1.541
Unstructured Zitierung
Menger P.-M. (2002). Portrait de l’artiste en travailleur. Paris: Seuil.
Unstructured Zitierung
Menger P.-M. (2012). Talent and inequalities: what do we learn from the study of artistic occupations. In: Borges V. and Costa P. eds, Criatividade e Instituições. Novos desafios à vida dos artistas e dos profissionais da cultura. Lisbon: ICS, 49-75.
Unstructured Zitierung
Menger P.-M. (2014). The Economics of Creativity. Art and Achievement under Uncertainty. Harvard: Harvard University Press.
https://doi.org/10.4159/harvard.9780674726451
Unstructured Zitierung
Murgia A., Maestripieri L., Armano E. (2016). The Precariousness of Knowledge Workers: Hybridisation, Self-employment and
Subjectification. Work Organization, Labour & Globalisation, 10(2): 1-8.
https://doi.org/10.13169/workorgalaboglob.10.2.0001
Unstructured Zitierung
Perrenoud M., Bois G. (2017). Ordinary artists: From Paradox to Paradigm?, Biens symboliques / Symbolic Goods, 1: 2-35.
https://doi.org/10.4000/bssg.171
Unstructured Zitierung
Srnicek N. (2016). Platform Capitalism. New York-London: Polity.
Unstructured Zitierung
Turner V. (1974). Liminal to Liminoid, in Play, Flow, and Ritual: An Essay in Comparative Symbology. Rice University Studies, 60(3): 53-92.
Unstructured Zitierung
Weber M. ([1919] 2005). Le savant et le politique : Une nouvelle traduction (translated by C. C.-Thélène). Paris: Plon.