Vollständiger Titel (Englisch)
Textile and Garment Magazine
Untertitel
списание Текстил и облекло
Imprint
Textile and Garment Magazine
Verlag
SEUTGL
ISSN
1310-912X (Gedruckte Zeitschrift)
2603-302X (Online-Zeitschrift)
Nummer des Bandes
10
Nummer der Ausgabe
10
Andere Beschreibung der Ausgabe
proceedings
Erscheinungsdatum der Ausgabe(YYYY/MM/DD)
2020/10/31
Vollständiger Titel (Englisch)
LEARNING AND CREATIVE ASPECTS OF DRAWING AS A STAGE OF DESIGN OF CLOTHING
Untertitel
LEARNING AND CREATIVE ASPECTS OF DRAWING AS A STAGE OF DESIGN OF CLOTHING
Von (Autor)
Zugehörigkeit
SWU Neofit Rilski - Blagoevgrad, Bulgaria, Assistant Professor
Number of Pages
1
Erste Seite
303
Letzte Seite
303
Sprache des Textes
Englisch
Erscheinungsdatum
2020/10/31
Abstract/Hauptbeschreibung (Englisch)
1.Introduction Drawing is an important, initial stage in the design and in general of the creation of clothing. You can say it is the most creative, the most essential. Drawing is the basis of all the arts associated with a vision. It expresses imaginative thinking in its purest form. Depending on the specific task and the area it serves, it may be different in nature. Mastering and drawing the human figure is one of the difficult problems that must be solved when designing a clothing project. Its interpretation in this process has specific peculiarities and problems for solving in a purely creative and educational way. Understanding the problems, opportunities and specific features in the construction of a clothing project is an important condition for successful creative development in a given field. 2. Experimental part This study addresses the theoretical and practical problems associated with the creation of clothing projects, which are relevant not only to creative problems, but also to teaching, related to the understanding of the peculiarities and mastery of the necessary knowledge, skills, procedures, techniques, materials. The different disciplines involved in the artistic construction of the project contribute differently to this. Better alignment between them is necessary for the common purpose. 3. Results and a Discussion The specificities in the academic drawing and artistic execution of clothing projects, the tasks they solve, and issues related to their practical application and mastery are analyzed. Specific and more common problems related to successful creative and teaching practice in this field are indicated. 4. Conclusion Thinking about and applying the problems involved can contribute to the more effective training and creative realization of students studying specialties related to fashion design and the design of clothing in general. Keywords: drawing, fashion, clothing design, human figure. [1] Димитрова-Попска, П., Проектиране на облеклото, Техника, София, 1989. [2] Радченко, И. А., Конструирование и моделирование одежды на нетиповые фигуры, издательский центр "Академия", Москва, 2010. [3] Eceiza, L., Atlas of fashion designers, Rockport Publishers, Beverly Massachusetts, 2008.